Previously in the saga of Tim Wright’s Wipeout remix album, the original release date had slipped from late March into late April thanks to an intercontinental relocation for the composer and his family. Now that it’s mid-May and we still haven’t seen a release he’s issued another update detailing the woes of creating a physical product largely on his own.
“Doing these physical projects is a bit like giving birth I think. The reason mothers even consider having more than one child, given that it’s painful beyond belief, is because the human brain doesn’t actually remember pain that well, or so I read somewhere. In effect, the fun of having children outweighs the trauma and 9 months of feeling like you swallowed a beach ball.”
Yikes. The labor pains for Ch’illout” have been brought on by complications with the fulfillment company that’s pressing the 2-disc album and its accompanying mini-poster. A staff change has caused further delays on top of a renegotiated quote, increasing the cost as Wright puts it, “close to profitless”. He’s not increasing the price for those who pre-ordered the album but the situation has forced him to change his plans.
On the bright side, he’s taking the extra time to create even more tracks on top of the original fourteen and the whole album will be released digitally on Bandcamp ahead of schedule. Anyone who pre-ordered the physical album will also get a code to grab the digital version and there’ll be a period of exclusivity before it’s released to the general public.
Wright is clearly holding back some disdain for the fulfillment company in his email update which I won’t quote in full here. Suffice to say, he’s talking to other companies to see if they may be able to press and ship the album ahead of its new ETA in July. As a parting consolation he’s shared another sample from the album bringing us all 30 seconds closer to the eventual release.
Rytmik Ultimate is a new app from developer CINEMAX for creating and sharing your own music. Available now for Nintendo 3DS, iPad, and Windows (through Steam), it’s a music workstation that provides a library of sounds to work with and gives you a wide range of tools and settings to customize and tweak everything to your own liking. You can use it to write your own music, create covers and arrangements of your favorite tunes, or even to create music clips or tracks for use in your other works or performances. Read on to learn more!
What is Brave Wave’s Street Fighter II The Definitive Soundtrack? It isn’t a remix album and it isn’t necessarily a new arrangement of the music, although you could easily be convinced otherwise. It’s the first in the label’s Generation Series that aims to painstakingly revitalize some of gaming’s unreleased, incomplete, or poorly preserved soundtracks. For Street Fighter II that meant making new source recordings directly from Capcom’s CPS-1 (Street Fighter II) and CPS-2 (Super Street Fighter II Turbo) arcade hardware.
A lot of work went into cleaning up the recording before it was finally mixed and mastered and ultimately signed off on by original composer, Yoko Shimomura. Did the months of delicate, elaborate work pay off? Play the side-by-side comparison within and know that you’ve never heard Street Fighter II’s music so clearly before, and not just because you aren’t in a raucous arcade.
Hopefully you didn’t burn through your entire music tech budget for the year during Black Friday, because Impact Soundworks has launched one of their biggest music software sales. Every one of their sample libraries and virtual instruments, including the bundles, are on sale until December 30th.
The sale coincides with the release of their latest instrument, Rhapsody Orchestral Colors. The new library features samples of brass, woodwinds, strings, and choir ensembles.
There are some special deals related to the Rhapsody instrument series as well. If you already own Rhapsody Orchestral Percussion, you will receive a $50 coupon associated with your ISW account. If you spend $299 or more in one order, you will receive Rhapsody Orchestral Colors for free. So if you’re still looking for deals on music software before the end of this year, be sure to head over to the Impact Soundworks site.
Earlier this week we posted a few Black Friday and Cyber Monday deals on music software. These included sales from Heavyocity and Impact Soundworks. Since then a number of other music and audio companies have launched their own deals for the Black Friday weekend. For the sake of convenience we’ve compiled the other deals that we’ve found here, and we’ll attempt to update this list as we find more. (more…)
Virtual instrument company Heavyocity is having a Thanksgiving sale on its products starting now until December 6th. The collections and individual instrument packs are available for up to 50% off. These include Gravity, Aeon Collection, Ensemble Metals Collection, Evolve, and many more.
All of the instrument libraries run on Kontakt 5 and require at least the Kontakt 5 Player to be used. If you’re a composer or sound designer who’s been eyeing any of Heavyocity’s virtual instruments, now may be the time to grab them. You can check out more of the Heavocity Thanksgiving sale on their main website.
Two of the orchestral sample libraries from Impact Soundworks are on sale this week to help kick off Black Friday deals on music software. The first of these is the Bravura: Scoring Brass Complete library for $249 and the second is Rhapsody: Orchestral Percussion for $99.
If you already own any individual instruments or lighter versions of either library you can contact Impact Soundworks to get a special discount on the upgrades to the full versions as well. The Essentials version of the Rhapsody library is also available for $49.
Both the Bravura: Scoring Brass and the Rhapsody: Orchestral Percussion libraries have been reviewed here on OSV. The sale runs until November 30th (Cyber Monday). So if either of these libraries are on your wishlist, be sure to grab them at a discount while you can on the Impact Soundworks website.
BT’s Electronic Opus was released digitally to all Kickstarter backers on October 9, 2015 and released digitally worldwide three days later. Since it’s release I have been following fan’s of BT’s reception of the album which has been enthusiastic and full of praise. Feel free to take a look back at OSV’s earlier coverage of the album regarding its release and first preview.
I have spent a considerable amount of time listening to the album since it was released digitally, and now have a copy of the physical CD. I hope you’re take some time to read my thoughts on why Electronic Opus is worth your precious listening time.
The music software company Impact Soundworks has launched a second volume of their Acoustic Revolutions series titled Acoustic Revolutions 2. The library features loops of an acoustic Taylor guitar and are designed to be useful for a variety of styles and genres. The loops, which are organized by tempo, time signature, and key, do not require a sampler to be played and the WAV files can be dropped and placed into any DAW (Digital Audio Workstation).
Acoustic Revolutions 2 is available on Impact Soundworks for $49 and you can buy Acoustic Revolutions 1 + 2 as a bundle for $65. You can head over to the Impact Soundworks website for more details.
Passionate as we may be about video game music, it’s easy to gloss over how much work it takes to make computers sing songs, especially in the old days. I’m definitely guilty of that so I always appreciate when someone takes the time to break things down and explain to a simpleton like me.
Our own Sebastian Urrea has done a fabulous job combining history, hardware and composition and similar to his post, NES Sounds as Instruments, is this informative video from The 8-Bit Guy, How Oldschool Sound/Music worked. In less than 10 minutes the video covers the evolution from simplistic beeper speakers, through FM synthesis and finally the PCM sampling of later PCs like the Amiga. There’s great visual examples, simple explanations of what’s going on and some great music to be heard. Thanks go to Engadget for originally posting about The 8-Bit Guy’s video.
The sound engineers over at Rattly and Raw have just released a drum kit sample library for Kontakt 5 titled Martin France Drums. The collection includes a wide range of recordings of vintage and modern drums. The library contains over 32,000 samples to cover the recording of 36 different drum kit pieces. The demo video below shows off just some of the library’s capabilities and features.
The Martin France Drums library is available at the Rattly and Raw site for £99, or about $150 USD. The software is also compatible with the free Kontakt 5 Player, so you won’t need to shell out extra money for Kontakt 5 to use this collection. You can find out more information about Martin France Drums at the Rattly and Raw website.
You can now listen to the first sample of the track “Dreaming” from the upcoming BT album Electronic Opus. The album features the award winning, world renowned City of Prague Philharmonic Orchestra at Smecky Studios with musicians hand picked by Tadlow Music, conducted by Eimear Noone and produced by Tommy Tallarico.
The album drops on October 12, 2015 and will be available for purchase digitally October 12, 2015. If like me you were hoping for a physical release of the album, BT just reported on kickstarter’s page that the physical release will only be available to kickstarter backers. A future physical release may be possible but at this time is not planned, and it is a beautiful physical release which you can see here in a 3d rendering of the album on CDBaby.
The album can also be pre-ordered digitally through kickstarter if you want immediate delivery on release day. I think the added orchestra sounds incredible, what do you think? Will you be picking up this album?