In the last year or so, we have seen a myriad of sequels released – some of which kept the original games’ composers (Bioshock 2, Mass Effect 2) and some of which did not (Modern Warfare 2, Just Cause 2). Naturally, maintaining the same composer often creates a certain sense of familiarity and continuity within the series. Arguably, no game series believes this more than God of War. Back for a third entry into the series, Gerard Marino and his band of Olympus musical brothers have returned to give Kratos the send-off he deserves.
Though most agree the game is a worthy ending to Kratos’ murderous, avenging rampage, how well did the music do? More importantly, how valuable a role did the score play in the third installment (if at all)?
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