
If Luminist’s Metroid: Resynthesized has left you wanting more Nintendo music on analog synthesizers, let me point you to Switched on SNES. It’s the first in a series from producer Will Patterson that aims to bring gaming’s musical masterpieces to new listeners by way of analog synths and drum machines.
The style fits quite well for A Link to the Past, smoothing out the instrumentation of the SNES original without sounding like a near-unrecognizable remix. Unfortunately, and just like Resynthesized, the album is painfully short and runs for just under 15 minutes. In its defense, the album doesn’t promise to rearrange the entire soundtrack and the themes that Patterson has chosen fit his minimal and subdued style in unison. I just wish there could be more of it!
While he may never expand on A Link to the Past, Patterson does have plans to visit more SNES franchises. The album’s Bandcamp page mentions Secret of Mana, Earthbound and Donkey Kong Country as potential upcoming entries. Switched on SNES is available now for $5 on Bandcamp.
What SNES soundtrack would you love to hear given the analog synth treatment? Let us know in the comments below.

Last October Michael posted a roundup of composers who have turned to Twitch and YouTube to broadcast their music creation process to the world. Among them was FTL composer, Ben Prunty, who began streaming the regularly scheduled Music Workbench series earlier this year. Whether you tuned in or not, the results of his streams have now been compiled on the new, free album titled Music Workbench.
“During Music Workbench, I make music live on twitch, talk about my creative and technical processes, and answer questions from viewers. The purpose of the show is to help demystify the music production process, which too often is seen as pure wizardry.”
Ben Prunty
The album offers five tracks that were created during live streams and highlight Prunty’s ethereal electronic style with some nice surprises and deviations to mix things up. There’s also the track “Going to Market” which was created off the air and added as a bonus track. You can grab the album for free from Bandcamp and join Ben Prunty’s Music Workbench streams every Saturday at 2pm PST on Twitch.
Greybox, has just released their second developer video for RiME, an upcoming game for XBOX One, PS4 and Nintendo Switch. In the video the developers discuss the art and design of the game, as well as the music and audio design. The video runs just under 10 minutes, and the discussion about the game’s music begins at 4:56. The developers talk about the game’s island as a character that tells the story of the game. In the video the music is described as a masterpiece that conveys the story arc and in game relationships. They also describe the music as having thematic adaptions to the player’s actions, and that the music ‘completes’ RiME.
David Garcia the composer is shown in the video offering some thoughts on his approach to creating the music. On April 6, 2017, Greybox also posted an excerpt of David Garcia’s score titled “Alone in the Light” which you can listen to below. There is also a link on the official YouTube video to download the sheet music.
Are you looking forward to RiME?
Fans of shmups with bright colors and a sizable help of Gradius-like gameplay should take a look at the recently released Switch game, Graceful Explosion Machine. (A contradictory title that somehow works well with the content.) You can also now purchase the game’s soundtrack, courtesy of the composer Robby Duguay. (Fate Tectonics, Kim Magikal)
The Graceful Explosion Machine Original Soundtrack features 17 tracks of chiptune music that accompany the colorful chaos of the gameplay. The alien-like, otherworldly synth tunes compliment the intensity of space fighting through the various stages. Each “stage” features four subsections with variations of the stage main melody.
The music reflects Duguay’s previous thoughts on dynamic music in his compositions.
When I was composing the soundtrack for Fate Tectonics, I saw a major opportunity to make the music dynamically follow the player’s progress. I set out to make all the different elements of the game into a member of an ensemble, and let the gameplay dictate how those parts would be heard.
Thanks everyone for supporting us during the GEM launch. It’s the biggest OST I’ve released yet and I appreciate all the tweets, ❤️s & RTs ?
— Robby Duguay (@RobbyDuguay) April 13, 2017
The soundtrack for Graceful Explosion Machine can be purchased in full release later today on Duguay’s Bandcamp, and you can check out the game itself on the Nintendo Switch.
On March 30, 2017, Spinnup records released the official soundtrack to Metroid: The Bounty Hunter’s Judgement, a fan film currently in production by OutPort Studio which is part of The Project Pack. According to the artist, this project was developed to celebrate the 30th Anniversary of Metroid, as a tribute to Hirokazu Tanaka, Kenji Yamamoto and Minako Hamano for composing music for this franchise, and to Toby Fox for composing and developing Undertale. You can listen to the entire album which runs around 20 minutes below.
This is the result of months of research, composing, arranging, playing and recording, and with the huge support of thousands of talented people, this 8 track album was possible. Music, as any other form of art, exists to protect and sustain a way of expression, and with It, protects a way to experience and approach a theme.
Fan art is now protecting both of them as hard as ever.We want to thank all of the Metroid community for keeping the franchise alive and relevant. From the speed running community, to the modding, hacking, illustration, music and game developing community, all of you are the ones who keeps us believing that Samus adventures are not over.
We want to thank Milton Guasti (DoctorM64) for creating the perfect fan game with AM2R, and making the ultimate gift for the fans on the exact 30th Anniversary of the Metroid.
Zest
The album is also available on iTunes, Spotify, and purchase an official digital copy of Amazon. Although a release date for the fan film has not been announced, OSV will keep you posted?
Have you been following the development of this Metroid fan film?
Robyn Miller, the composer of the soundtracks to Myst, Riven and Obduction has just released the soundtrack to Little Potato. The short film directed by Wes Hurley & Nathan M. Miller just won Best Documentary Short at the SXSW Film Festival earlier this month. The filmmakers describe the film as an autobiographical documentary that tells the story of Little Potato‘s journey growing up gay in the Soviet Union before and after the fall of communism, his mother’s struggles to create a better life for them both, and their eventual escape to America via her becoming a mail-order bride.
Robyn Miller also shared some details on his approach to the soundtrack on his newly re-designed website.
Wes came to me with a daring musical vision: he wanted an upbeat 80’s synthpop sound. For music nerds, here are the tools I used: Native Instruments Komplete Kontrol S88 and Komplete Ultimate, Pianoteq 5, Macintosh and Logic Pro X. The score was recorded at my home in Seattle.
Robyn Miller
You can sample the album’s remaining tracks on Amazon where it can be purchased digitally for $8.99.
Where you at the SXSW Film Festival this year, and did you have a chance to see Little Potato?

Orchestral game music concerts are popping up in ever-increasing numbers these days and to set themselves apart each one seems to be trying something new. One of the latest performances is ‘An Evening of Videogame Music’ from the Leeds International Festival Orchestra that’s happening on April 25th at the University of Leeds in England.
Putting a focus on local and UK developed indie titles, the night will see the first live performances of David Wise’s compositions for Snake Pass and Barrington Pheloung’s music from the classic adventure series, Broken Sword. Revolution Software co-founder, Charles Cecil, will be on hand to introduce the Broken Sword performance.
‘An Evening of Videogame Music’ will also feature a piece from The Chinese Room’s Everybody’s Gone To The Rapture written by Jessica Curry, and exclusive music from the upcoming Yooka-Laylee from renowned games composer Grant Kirkhope. Music from Bethesda’s Elder Scrolls and Fallout will also be performed during the two-hour show. Tickets are available now from Luna Tickets for £22.00 and as always, let us know with a comment if you attend the show.
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